Third mix for our Music For Shoplifters series.
This time by the Berlin graffiti legend Rasta aka Mixmaster Müller. The original from the Streets of Kreuzberg delivers over 2 hours of disco, pop and electro – strictly vinyl and strictly something you don’t get to hear that often, crazy weirdness and rare finds included with a strong 80s tv funk approach.

Mixmaster Mueller started doing graffiti back in the glory days in West Berlin, when there where hip-hop jams, breakdance and trains. ?He started to rap and produce music, for example the Soziale Kontakte project with Prinz Pi, a project 15 years ahead of its time and very much worth a listen: youtu.be/IALKYWzicR4 ?Later he crafted an amazing solo LP and is a DJ that takes you on a journey less travelled. Enjoy this gem.

@mixrasta
www.discogs.com/de/artist/1835251-Mixmaster-Müller

www.ete-clothing.de
www.facebook.com/ete.clothing
www.instagram.com/ete.clothing
www.vimeo.com/eteclothing

 

 

 

 

 

.

Music for Shoplifters Mix Series // MixMasterMueller

Music for Shoplifters Mix Series // MixMasterMueller

 

Third mix for our Music For Shoplifters series.
This time by the Berlin graffiti legend Rasta aka Mixmaster Müller. The original from the Streets of Kreuzberg delivers over 2 hours of disco, pop and electro – strictly vinyl and strictly something you don’t get to hear that often, crazy weirdness and rare finds included with a strong 80s tv funk approach.

Mixmaster Mueller started doing graffiti back in the glory days in West Berlin, when there where hip-hop jams, breakdance and trains. ?He started to rap and produce music, for example the Soziale Kontakte project with Prinz Pi, a project 15 years ahead of its time and very much worth a listen: youtu.be/IALKYWzicR4 ?Later he crafted an amazing solo LP and is a DJ that takes you on a journey less travelled. Enjoy this gem.

@mixrasta
www.discogs.com/de/artist/1835251-Mixmaster-Müller

www.ete-clothing.de
www.facebook.com/ete.clothing
www.instagram.com/ete.clothing
www.vimeo.com/eteclothing

 

 

 

 

 

.

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